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Audiovisual Montage

by Hans Beller, Jörg Lensing

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  • Audiovisual Montage
  • Graphic Notation and Musical Graphics
  • Gesamtkunstwerk
  • undefined
  • The Film Score
  • Color Organs
  • Expanded Cinema
  • Architecture and Music
  • Sound in Animation
  • Absolute Film
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Works
People
Socialbodies
Workdescriptions from this text
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Blight

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Kniespiel III

Workdescriptions from other texts
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Apocalypse Now

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Jurassic Park

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«Audiovisual Montage»
Works
Blight, Kniespiel III
People
Blume Claus (Chap. 2), Bondy Arpad (Chap. 2), Brando Marlon (Chap. 2), Chion Michel (Chap. 3, 4, 2), Coppola Francis Ford (Chap. 2), Dudow Slátan (Chap. 4), Edison Thomas A. (Chap. 1.1), Eisler Hanns (Chap. 4), Foley Jack (Chap. 1.3), Godard Jean-Luc (Chap. 2), Greenaway Peter (Chap. 2), Lang Fritz (Chap. 2), Lynch David (Chap. 4, 2, 1.3), McNaughton John (Chap. 4), Murch Walter (Chap. 2, 1.4, 4), Riedelsheimer Thomas (Chap. 2), Roeg Nicolas (Chap. 2), Ruttmann Walter (Chap. 2), Schönburg Christoph von (Chap. 2), Sheen Martin (Chap. 4, 2), Smith John (Chap. 4), Souriau Étienne (Chap. 4), Spielberg Steven (Chap. 4), Svilova Elizaveta (Chap. 2), Tarkowski Andrei (Chap. 2), Tati Jacques (Chap. 2), Veiel Andres (Chap. 2), Vertov Dziga (Chap. 2)
Socialbodies
Deutsche Bank AG (Chap. 2), The Doors (Chap. 2, 4), montage AV. Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation. (Chap. 3)
Mentioned
Apocalypse Now (Chap. 4, 2), Audio-vision: Sound on screen. (Chap. 4), Berlin: Die Sinfonie der Großstadt (Chap. 2), Black Box BRD (Chap. 2), Blue Velvet (Chap. 4), Deutscher Rundfunk (Chap. 2), Jurassic Park (Chap. 4, 1.3), Kinetophone (Chap. 1.1), Kuhle Wampe (Chap. 4), M (Chap. 2), Mad Dog and Glory (Chap. 4), Man with a Movie Camera (Chap. 2), Melodie der Welt (Chap. 2), Phonograph (Chap. 1.1), Playtime (Chap. 2), Prospero's Books (Chap. 2), Star Wars (Chap. 1.3), The Conversation (Chap. 2), Touch the Sound (Chap. 2)
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