Conceptual Correlations of Sound and Image
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
Sound-image relationships in conceptual art reflect, above all, the interconnections of postwar avant-garde movements in the visual arts and in New Music. Categories of intuition and of chance thereby constitute not only a direct line of thought from Marcel Duchamp’s concept of anti-retinal art by way of John Cage’s indeterminism to the contingent processes of George Brecht’s
Works: Wavelength, The Flicker, Composition 1961, No. I, January I , Presents, String Loop, With Hidden Noise, Box with the Sound of its own Making , Incomplete Open Cubes, Compositions, 4′33″
People: Sol LeWitt, Michael Snow, Michael Maierhof, George Brecht, John Cage, Erik Satie, Marcel Duchamp, Philip Glass, La Monte Young, Henry Flynt, Hanne Darboven, Simone Forti, Pamela Lee, Steve Paxton, Terry Riley
Socialbodies: Judson Dance Theater, Theatre of Eternal Music