«Video, an Audiovisual Medium»
People
Abe Shuya (Chap. 3),
Atwood David (Chap. 3),
Beck Stephen (Chap. 3),
Brown George (Chap. 6),
Etra Bill (Chap. 4),
Hentschläger Kurt (Chap. 7),
Hill Gary (Chap. 4,
1,
5),
Langheinrich Ulf (Chap. 7),
Moorman Charlotte (Chap. 3),
Paik Nam June (Chap. 3,
,
1,
2,
4,
5),
Rutt Louise (Chap. 4),
Rutt Steve (Chap. 4),
Sandin Dan (Chap. 1),
Schier Jeffrey (Chap. 6),
Sherman Tom (Chap. 7),
Siegel Eric (Chap. 3),
Stout David (Chap. 7),
Sweeney Skip (Chap. 2),
Takeya Akemi (Chap. 7),
Vasulka Steina (Chap. 5,
7,
),
Vasulka Woody (Chap. 6,
4,
),
Yalkut Jud (Chap. 5)
Socialbodies
Experimental Television Center (Chap. 3),
Galerie Parnass (Chap. 5),
Granular Synthesis (Chap. 7),
Sony (Chap. 1),
Steina and Woody Vasulka (Chap. 1,
5,
2,
3,
4),
The Beatles (Chap. 3),
WGBH (Chap. 3)
Mentioned
Demagnetizer (Chap. 2),
Digital Image Articulator (Chap. 6),
Direct Video Synthesizer (Chap. 3),
Electronic Video Synthesizer (Chap. 3),
Full Circle (Chap. 5),
Global Groove (Chap. 3),
Heraldic View (Chap. 5),
How TV Works (Chap. 1),
Image/ine (Chap. 7),
Noisefields (Chap. 4),
Paik/Abe Video-Synthesizer (Chap. 2,
3),
Picture Story (Chap. 4),
Portapak (Chap. 1),
Rutt/Etra Scan Processor (Chap. 4,
2),
Signalfire (Chap. 7),
Soundgated Images (Chap. 5),
Soundsize (Chap. 5),
TV Cello (Chap. 3),
Video Commune: Beatles from Beginning to End – An Experiment for Television (Chap. 3),
Vocabulary (Chap. 4)
Keywords
Algorithmus (Chap. 6),
Entgrenzung (Chap. 5),
Materialität (Chap. 4,
5,
7),
Performativität (Chap. 3,
7),
Polysensualität (Chap. 4,
5,
7),
Simultaneität (Chap. 1,
2),
Verzeitlichung (Chap. 3),
drawn sound (Chap. 3),
modulation (Chap. 2,
3,
4,
6),
sampling (Chap. 6,
7),
synchronicity (Chap. 1,
2),
synthesis (Chap. 1,
3,
5,
7)
Timespans
1960 – 1980, 1960 – 1980, 1960 – 1970, 1970 – 1980, 1960 – 1980, 1980 – 1990, ab 1990
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