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List of all Relations in this Text

«Conceptual Correlations of Sound and Image»
People
Brecht George (Chap. , 2), Brown Trisha (Chap. 1), Cage John (Chap. 2, , 1), Cale John (Chap. 8), Conrad Tony (Chap. 6, 8, 7, ), Darboven Hanne (Chap. 4), Duchamp Marcel (Chap. , 2, 3), Duchamp Teeny (Chap. 2), Flynt Henry (Chap. 2, 1), Forti Simone (Chap. 1), Glass Philip (Chap. 2), LeWitt Sol (Chap. 4, ), Lee Pamela (Chap. 4), Maierhof Michael (Chap. 5), Morris Robert (Chap. 5, 2, 3), Paxton Steve (Chap. 1), Rainer Yvonne (Chap. 1), Reich Steve (Chap. , 4, 2, 1), Riley Terry (Chap. 2), Satie Erik (Chap. 1), Snow Michael (Chap. 6, 7, ), Wagner Richard (Chap. 5), Young La Monte (Chap. 8, 1, 5), Zazeela Marian (Chap. 8)
Socialbodies
Judson Dance Theater (Chap. 1), Theatre of Eternal Music (Chap. 8)
Mentioned
4′33″ (Chap. 2), Box with the Sound of its own Making (Chap. 2, 3, 5), Composition 1961, No. I, January I (Chap. 5), Compositions (Chap. 5), Presents (Chap. 7), String Loop (Chap. 7), The Flicker (Chap. 8), With Hidden Noise (Chap. 2)
Keywords
Bewußtseinserweiterung (Chap. 6), Entgrenzung (Chap. 8), Flicker (Chap. 8), Intermedialität (Chap. 6), Materialität (Chap. 6, 8), Minimalismus (Chap. 1, 2, 4), Performativität (Chap. 1, 3, 8), Serialität (Chap. 3), Verräumlichung (Chap. 4), Verzeitlichung (Chap. 4), Wechselspiel der Künste / Paragone (Chap. 5), Zufallsverfahren (Chap. 2, 4), collage (Chap. 6), improvisation (Chap. 8), indeterminism (Chap. 2), notation (Chap. 3), participation (Chap. 3, 7), rhythm (Chap. 4), synchronicity (Chap. 4, 6)
Timespans
1960 – 1980, 1950 – 1960, ab 1960, 1960 – 1980, 1900 – 1970, 1960 – 1970, 1960 – 1980, 1960 – 1980

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